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2.7 Darla Darla: "Do you know what we've become?" Lindsey: "Enemies?" Darla: "Oh, no. Much worse. Now we're soulmates." I guess it's hard to just dismiss a 150 year relationship, no matter what it's based upon. We learned a lot about Darla in this episode (which was probably why it was called "Darla") and it was fascinating. The flashbacks continued from the Buffy episode "Fool for Love" and this time, we saw more -- as well as some of the same scenes from another viewpoint. What a great plot idea. Plus it saved money spent shooting on location. -- 1609 Virginia Colony: Darla, a dying prostitute, thought the Master was Death; the Master said to her, "I'm your savior. God never did anything for you ... but I will." This line reminded me of Lestat and Louis in Interview with the Vampire. Except that Darla was more like Lestat and Angel like Louis. -- 1760 London: Darla brought Angel home to meet the Master. Lots of interesting backstory there. Vampires have Orders? The Master commanded the Order of Aurelius, the select, the elite? Of course Darla would choose Angel over the Master. "I'm not going to get a bat nose like that, now, am I?" Who could resist? -- 1880 London: I loved seeing the other side of Drusilla choosing Spike. So was he the "wisest and brightest knight of all the land," or indeed "the first drooling idiot to come along"? I think that Drusilla read Spike's mind and saw the man she wanted in there. Spike is special, and no common moron would do for Drusilla. -- 1900 China, Boxer Rebellion: In "Fool for Love", Angel seemed to be one of the gang. But here, we learned that Angel was suffering from the weight of his soul and he went to Darla for help. He thought he could take it but he couldn't even watch the killing any more, much less participate. The episode ended with the same wonderful blend of scenes like we had at the end of "Fool for Love", but instead of Buffy and Spike, we had Angel and Darla -- Darla not able to accept Angel with a soul in 1900, while Angel was unable to either kill or bite Darla to ease her pain in 2000. Angel has always reminded me of Louis in Interview with the Vampire, and now we know that in 1900, Angel was killing only evildoers -- like the later Lestat. A lot of the elements I really liked about Rice's books -- the link between sex and death, the references to God, the attachment vamps form for each other, and so on -- are creeping into Buffy and Angel. I love it. So what game is Holland playing? She's cracking up ahead of schedule? If there's no prospect of physical intimacy, how can they turn Angel? How can Wolfram & Hart benefit if Angel saves Darla's soul? Whatever is going on, Lindsey isn't part of it. Emotional, conflicted, lonely, in desperate need of mousse, you gotta feel for poor Lindsey. The Lindsey/Darla love scene was priceless: Lindsey: "Do you like it?" Darla: "It's nice. (pause) It's not me you want to screw." Lindsey (startled): "What?" Darla: "It's him." I'm really starting to love Julie Benz's Darla. She says the raunchiest things in such a sweet voice. Bits and pieces: -- Great location shots, especially the Boxer Rebellion. Wonderful costumes, especially Darla's. -- Good for Gunn; he figured out how to find Darla. In fact, of the four of them, Gunn seems to be the only one with the smarts to work in a detective agency. I've also noticed how Gunn is often standing apart from the rest of them in group scenes, a physical demonstration of his emotional distance. -- Lindsey needs to do something with his hair. Longer, shorter, mousse, barrettes, anything. Quotes: Wesley: "The last time Darla emerged, she wanted to be found. Now she is out there among six million other people." Cordelia: "She could be sitting on top of anybody." Angel: "Come on, guys. We are a detective agency. We investigate things. That's what we're good at." Cordelia: "That's what we suck at. Let's face it, unless there's a website called www dot oh-by-the-way-we-have-Darla-stashed-here dot com, we're pretty much out of luck." Master: "We stalk the surface to feed and grow our ranks. We do not live amongst the human pestilence." Angelus: "I'll be honest. You really couldn't with that face, now could you?" Darla: "The Master has grown past the curse of human features." Angelus: "I'm not going to get a bat-nose like that, huh? Am I?" Drusilla: "I could pick the wisest and bravest knight in all the land and make him mine forever with a kiss." William: "You -- watch where you're going!" Darla: (looking after him) "Or you could just take the first drooling idiot that comes along." Wesley: "We could do the reconnaissance, give you a full report and we can all decide how to proceed as a team." Cordelia: "Probably a good idea since it's one o'clock in the afternoon and that address is in Sun Valley." Angel: "Right. (Laughs) Sun." Cordelia: "Actually I was thinking valley. I mean, why go there if you don't have to?" Not quite as powerful as the beginning of this crossover arc, "Fool for Love," but still outstanding. Four out of four stakes, Billie |
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